翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Poème Symphonique for 100 metronomes : ウィキペディア英語版
Poème symphonique

''Poème symphonique'' is a 1962 composition by György Ligeti for 100 metronomes. It was written during his brief acquaintance with the Fluxus movement.
The piece requires ten "performers", each responsible for ten of the hundred metronomes. The metronomes are set up on the performance platform, and they are all then wound to their maximum extent and set to different speeds. Once they are all fully wound there is a silence of two to six minutes, at the discretion of the conductor, then at the conductor's signal they are all started as simultaneously as possible. The performers then leave the stage. As the metronomes wind down one after another and stop, periodicity becomes noticeable in the sound, and individual metronomes can be more clearly distinguished. The piece typically ends with just one metronome ticking alone for a few beats, followed by silence, and then the performers return to the stage (Ligeti 1962).
The controversy over the first performance was sufficient to cause Dutch Television to cancel a planned broadcast recorded two days earlier at an official reception at Hilversum's City Hall on 13 September 1963 (Ligeti 1997, 7, 11; Morrison 2012). "Instead, they showed a soccer game" (Ligeti 1997, 12). Ligeti regarded this work as a critique of the contemporary musical situation, continuing:
The ''Poème symphonique'' was the last of Ligeti's event-scores, and marks the end of his brief relationship with Fluxus (Drott 2004, 222).
The piece has been recorded several times, but performed only occasionally due to the obvious difficulty of procuring such a large quantity of machines.
==References==

*Cone, Edward T. 1977. "One Hundred Metronomes". ''The American Scholar'' 46, no. 4 (Autumn): 443–59. Reprinted in ''Journal of Aesthetic Education'' 13, no. 1 (January 1979): 53–68. Also reprinted in ''Australian Journal of Music Education'', no. 26 (April 1980): 19–24.
*Dibelius, Ulrich. 1980. "Maelzel, wenn er losgelassen". ''Hi-Fi Stereophonie'' 19:168–69.
*Drott, Eric Austin. 2004. "Ligeti in Fluxus". ''The Journal of Musicology'' 21 (Spring): 201–40.
*Ligeti, György. 1962. (''Poème Symphonique 1962'' for 100 metronomes ) – score, translated by Eugene Hartzell. (Fluxus Debris!@art/not art ). (Accessed 18 August 2010)
*Ligeti, György. 1997. "Music-Making Machines", translated by Annelies McVoy and David Feurzeig. Booklet notes for ''Mechanical Music'', 7–14. György Ligeti Edition 5. Sony Classical CD SK 62310. (York ): Sony Classical.
*Ligeti, György. 1999. "''Poème Symphonique'' for 100 Metronomes". ''Musical Opinion'', no. 123 (Autumn): 56.
* Morrison, Chris. 2012. "(''Poème symphonique'', for 100 Metronomes, 10 Performers & 1 Conductor: Review )". Answers.com (Accessed 26 January 2012).
*Nordwall, Ove. 1971. ''György Ligeti: Eine Monographie''. Mainz: Schott.


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Poème symphonique」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.